Three Bouquets
Text: Johnson, Kimberly . "Three Bouquets." In A Metaphorical God, 30-32. 1st ed.
New York, NY: Persea Books, Inc., 2008.
Reproduced by permission of the author.
1.
What awful love worked this superfluity?[1]
My U.S. Geological Survey map[2]
grids the haphazard landscape
into restrained
geometries, bulges and sandstone hoodoos
smoothed by the benign cursive
of contour lines.
But look! --- At the chart's least cluttered
corner,
the cartographer abandoned
his strict piety to boutonnière[3]
the desert: a compass rose, its freehand
arabesques transgress the
quadrants, a baroque
whimsy of the official pen. I
imagine him
gripping silently his staves and theodolite,[4]
stumped by some unmappable
beauty, it bucking
his measure, efflorescing
in him---.
Heartstruck[5] he tricks out the
plateau in posies[6]
2.
Fond romantic, I've followed the map farther
than asphalt, taken myself
up to the bare
coordinates where the compass rose
blooms.
I'm quick to see the cartographer's flourish
as a valentine, quicker to want what
beauty
forced its mark here, to lose
my bearings by it:
let my north be this rosy
seduction
of sandstone flashed with
quartz,
my east that far, high mountain
shining like all the kingdoms of the world.[7]
3.
My dear cartographer, how misplaced our faith
in the compass rose, as if
its love-knot
could fix beauty. As if it
marked anything
but the heart's excesses.
My own heart surges
to pitch its rococo against the map's hard
facts.
It is willing to break itself to flower.
[1] The Oxford English Dictionary defines
the word, "awful" and its various meanings depending on the context or
historical moment. In this context "awful" is intentionally ambiguous. The
potentially applicable definitions include:
1.
Causing
dread; terrible, dreadful, appalling.
[2] The United States Geological Survey
offers regional maps dating back to the 19th century. If you would
like to get an idea of the landscape of this poem, search "Zion National Park"
or "Bryce Canyon National Park," for the best approximation.
[3] This article gives the history of the boutonnière
and its historical and symbolic significance.
[4] This article illustrates how these
orienteering tools are used.
[5] This song by Hamilton Liethauser
evokes much of the romantic wilderness imagery associated with this poem and
its use of the word, "heartstruck." The music video
for "Heartstruck" is shot in Marfa, in southwest Texas, which has a landscape
similar to Utah, where the poet resides.
[6] There is a long history in English poetry
of comparing the word poesy or poesies, to the flowers known as poesies. This
is used as both a pun and a metaphor equating poems to flowers. This piece by
famous Renaissance author Sir Philip Sydney discusses the significance of this
word and its associated genre.
[7] This phrase evokes biblical imagery,
specifically the Devil's temptation of Christ in the wilderness. These episodes
inspired Milton's Paradise Regain'd.